The following is an excerpt from upcoming Creating Biophilic Buildings by Amanda Sturgeon, FAIA, CEO of the International Living Future Institute.

Introduction to the Case Studies

Upon investigating resources related to biophilic design, I discovered that only four case studies were currently available to the general public. Architects and designers, who are almost all overwhelmingly visual learners, must be able to draw inspiration from precedents. If we want practitioners to embrace biophilic design as both a design philosophy and as a process, we need case studies that illustrate how to achieve it practically and elegantly.

This contemporary collection of fourteen case studies draws from Living Building Challenge projects. Since 2011, the Living Building Challenge has required that all projects utilize Stephen Kellert’s framework to achieve biophilic design—the only green building standard that includes biophilic design as a requirement. Consequently, the projects that are now built and operating as Living Buildings provide a significant resource for the advancement of biophilic design.

Additionally, Version 3.1 of the Living Building Challenge requires that projects hold a one-day biophilic design exploration and create a guiding framework for the project based on the criteria outlined on the following page. This requirement influenced some of the fourteen case studies as well.

Betty and Clint Josey Pavilion

Some of the projects were also influenced by other approaches to biophilic design, such as Terrapin Bright Green’s 14 Patterns of Biophilic Design, which coalesces Kellert’s attributes into fourteen patterns organized within three groups. Although this framework and Terrapin’s extensive resources are pivotal tools for advancing the practice of biophilic design, for the sake of consistency we have not specifically referenced them within these case studies.

The case studies do not focus on the other Living Building Challenge Imperatives; however, it is worth mentioning that most of these projects have achieved some to all of the requirements set forth in the Living Building Challenge standard: they are net zero or net positive for energy and/or water use; they are constructed with materials free of Red List items; they demonstrate the principles of equity; they are respectful of place; and they are beautiful.

Because the Living Building Challenge requires projects to reference and respond to the Biophilic Design Elements and Attributes list that Stephen R. Kellert published in the 2008 book Biophilic Design: The Theory and Practice of Bringing Buildings to Life1, I have organized the case studies according to that list.

  • Environmental Features

    • Color
    • Water
    • Air
    • Natural ventilation
    • Plants
    • Animals
    • Natural materials
    • Views and vistas
    • Façade greening
    • Geology and landscape
    • Habitats and ecosystems
    • Fire

  • Natural Shapes + Forms

    • Botanical motifs
    • Tree and columnar supports
    • Animal (mainly vertebrate) motifs
    • Shells and spirals
    • Egg, oval and tubular forms
    • Arches, vaults, domes
    • Shapes resisting straight lines and right angles
    • Simulation of natural features
    • Biomorphy
    • Geomorphology
    • Biomimicry

  • Natural Patterns + Processes

    • Sensory variability
    • Information richness
    • Age, change and the patina of time
    • Growth and efflorescence
    • Central focal point
    • Patterned wholes
    • Bounded spaces
    • Transitional spaces
    • Linked series and chains
    • Integration of parts to wholes
    • Complementary contrasts
    • Dynamic balance and tension
    • Fractals
    • Hierarchically organized ratios and scales

  • Light + Space

    • Natural light
    • Filtered and diffused light
    • Light and shadow
    • Reflected light
    • Light pools
    • Warm light
    • Light as shape and form
    • Spaciousness
    • Spatial variability
    • Space as shape and form
    • Spatial harmony
    • Inside-outside spaces

  • Place-Based Relationship

    • Geographic connection to place
    • Historic connection to place
    • Ecological connection to place
    • Cultural connection to place
    • Indigenous materials
    • Landscape orientation
    • Landscape features that define building form
    • Integration of culture and ecology
    • Spirit of place
    • Avoiding placelessness

  • Evolved Human-Nature Relationships

    • Prospect and refuge
    • Order and complexity
    • Curiousity and enticement
    • Change and metamorphosis
    • Security and protection
    • Mastery and control
    • Affection and attachment
    • Attraction and beauty
    • Exploration and discovery
    • Information and cognition
    • Fear and awe
    • Reverence and spirituality

In analyzing this group of projects against Kellert’s elements and attributes, I have come to appreciate even more how comprehensive and thoughtful this list is. The attributes cover the range of biophilic expression, from the basic human need for natural light and fresh air to our more complex emotional yearning to connect with our cultures, our histories, and the natural environment.

The element of Light and Space includes a full exploration of the ways in which light and space interact to promote biophilic experiences. The element of Natural Shapes and Forms reveals why we find arches, domes, spirals, curves, and other naturalistic features so intriguing, and why these features so often find their way into our buildings. If you have not already, I encourage you to become intimately familiar with these elements and attributes and have no doubt you will come to appreciate them as I have.

Each case study illustrates two or three elements from Kellert’s list and describes in detail how the project addresses three attributes listed under those selected elements. I selected attributes based on extensive interviews with the design teams, owners, and occupants, as well as from their own narratives and presentations describing their approach to biophilic design. In most cases, I also conducted an in-person site visit. The attributes discussed during the interviews were not always the ones I selected. For example, with one project it was clear to me that connection to place and climate drove the design, yet strangely, the design team did not mention these influences.

Sustainable Buildings Research Centre

Several projects embraced biophilic design more fully and illustrated more than the three elements we chose to feature. However, in order to show a range of examples and strategies, I selected the elements and attributes that both tell a good story about biophilic design and provide valuable lessons learned.

Viewing these case studies as a group has been illuminating. Some projects have been more successful than others at integrating biophilic design into their design generation and conceptual development, and the inclusion of a special case study does not imply that it is exemplary in every category of biophilic design. It is important to acknowledge that these design teams are also on a journey to understand and discover how biophilic design can inform their practices. The key takeaway is to recognize the potential that biophilic design can bring to our buildings, both now and in the future.

Citations

  1. Stephen R. Kellert, Judith H. Heerwagen, and Martin L. Mador, Biophilic Design: The Theory, Science, and Practice of Bringing Buildings to Life (Hoboken: John Wiley & Sons, 2008), Table 1.1, p15

 

About Creating Biophilic Buildings

What if we could experience the same physical, psychological, and emotional benefits moving through an urban landscape that we experience walking through a forest?

What if we could right our relationship with nature by transforming the built environment in a way that ensures buildings function in harmony with the natural world?

Creating Biophilic Buildings by Amanda Sturgeon calls for an intentional biophilic design renaissance providing a fresh, insightful place to begin exploring how to create places where people and nature can thrive together.

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